I have a very pragmatic view on music: all I care about is whether it sounds good or not. That’s it. That’s literally it. And from that standpoint the advent of AI music has been a major net positive for me.
You can choose to ignore that and come tell me about the ethics of using AI or how you care about the story behind the song and so on and that’s all fine but just note that you’re no longer addressing what I’m actually saying here.
I’m also not claiming it’s great - only that it’s good. I’ve yet to discover an AI song that I go back to like I do with many human-made songs but if I want to put on a playlist playing in the background then one consisting of entirely AI-made music reliably provides me well above average track after another whereas with organic music I need to sift through a ton of absolute crap to stumble upon the occasional good track that still rarely exceeds what AI is able to output. I can go on YouTube and put on a 2 hour playlist of Jazz House or similar and I don’t get the urge to skip a single track.
Currently I feel like where AI still trips is lyrics - they still are only plausible sounding nonsense once you actually start paying attention to it but especially for instrumental music it has far exceeded the level of a good average human artist.
Few examples of what I’m refering to: with vocals and without.
I think you’re right that AI music can be good, not great, but often good or comparable to what’s already available.
I think another factor is that a lot of mainstream musicians are forced to follow an algorithm already by the major music labels that tell artists what to create, limiting their creativity and ability to create great music at a higher risk to the label.
The algorithmic nature to how most mainstream music is created is problematic in itself, and similar to the controversy of AI music itself.